Ninajirachi’s I Love My Computer captures something truthful about growing up shaped by screens and bandwidth. The album explores that strange intimacy we developed with our machines - the late nights, the secret discoveries, the way technology became less of a tool and more of a companion.

Tracks like “Fuck My Computer” and “iPod Touch” aren’t just bangers; they’re confessions about a relationship that transcends generations. Whether you learned HTML on Geocities or taught yourself production in GarageBand, there’s recognition here.

Neon Odin’s Allfather feels like mythology filtered through analog circuits and a CRT glow (much like myself). The album merges darksynth with handcrafted Nordic folk instruments - talharpa and nyckelharpa built by the artist himself - creating something that shouldn’t work but absolutely does.

Tracks like “Wield The Hammer” and “March Of The Jǫtnar” pulse with vintage synthesizers while maintaining an almost ritualistic weight. There’s a devotion here to both the Æsir and 80s electronics, and the combination taps into something primal about storytelling through sound.